EppsNet Archive: Spotify

Accountability Without Consequences

 

‘I was too ambitious’: Spotify CEO announces layoffs among 6% of employees as tech job cuts continue — msn.com Spotify CEO Daniel Ek said that the decision to restructure Spotify is an “effort to drive more efficiency, control costs, and speed up decision-making,” adding that he takes “full accountability for the moves that got us here today.” I love it — and when I say I love it, I mean I don’t love it — when someone says they take “full accountability” for some disaster, knowing perfectly well that there won’t be any personal consequences. There’s no accountability without consequences. Had he said “I’m forfeiting my salary for the year and donating it to the employees who lost their jobs,” now that’s something I could respect. Popular Bookstores, Including Barnes & Noble, Are Closing Locations, Starting Feb. 11 — bestlifeonline.com JCPenney Is Closing Even More Locations, Starting Next Month —… Read more →

Van Morrison at the Hollywood Bowl

 

He’s 76, but he still sings as well as anyone. Great show, great band. I tried to reconstruct the set here as a playlist. He did “In the Afternoon,” “Help Me,” “Raincheck,” “Burning Ground” and “Ancient Highway” as a medley, not one right after the other, but blended together as a long — what’s the right word? — let’s say a long reverie. There may have been snippets of a couple other things in there as well . . . something about Big Joe Turner and sittin’ pretty. He did more of a standard version of “Help Me” as an encore, then “Gloria” as a second encore. Read more →

Playlists for Pandemics

 

But I’m not crazy, I’m just a little unwell I know right now you can’t tell But stay awhile and maybe then you’ll see A different side of me I’m not crazy, I’m just a little impaired I know right now you don’t care But soon enough you’re gonna think of me And how I used to be — Matchbox Twenty, “Unwell” Read more →

Elvis Costello at the House of Blues

 

First time I’ve seen a concert at House of Blues in Anaheim. It’s a general admission standing room venue that holds I’d say around 1,500 people plus a seated balcony that you can get into for a premium price. Pros and cons you can probably guess: You’ll have to stand for about 3 hours but once the show starts, you don’t really think about it. If the 64-year-old performer can stand for the whole show, so can I. On the plus side, you can get quite close to the stage. Maybe not right in front unless you’re first in line to get in, but the sides of the stage you can get to easily. Also, you get to see an A-list performer in a small room. I don’t go to concerts in large venues anymore — Staples Center, Honda Center, the Forum, Rose Bowl, etc. I wouldn’t enjoy that. I… Read more →