My niece and nephew were visiting from Texas . . . my niece in particular wanted to see the Infinity Mirrored Room installation at the Broad, so off we went. (Scroll down for photos.) Unless you reserve tickets well in advance, entry to the Broad is handled via a standby line, which, when we showed up Saturday morning, was about an hour wait, i.e., the museum opened at 10 a.m. and we got in about 11:00. Because the standby line is in direct sunlight, Broad staff thoughtfully hand out umbrellas to anyone in the queue who wants one. (They do ask for the umbrellas back when you enter.) The Infinity Mirrored Room is an experiential artwork . . . one visitor at a time enters the room for 45 seconds. It requires a separate reservation which you can make, pending availability, after entering the museum. Once you get signed up… Read more →
EppsNet Archive: Edward Ruscha
MOCA Cookie Crumbles
Ed Ruscha has resigned as a MOCA trustee, as have John Baldessari, Barbara Kruger and Catherine Opie, leaving no artists on the museum’s board. — latimes.com, July 17, 2012 “Art” and “artist” are words that get tossed around pretty lightly. Ruscha‘s work — and the same goes for Baldessari and Kruger — consists of modifying photos and other images, often by writing words on them. It’s like lolcats, minus the occasional wit. Opie is a photographer whose work is less interesting than the average high school yearbook. Yesterday, the image below was posted on the MOCA Facebook page. It’s an actual museum piece called “Earthwork aka Untitled (Dirt).” Yes, it looks like a pile of dirt, but if you click the image to enlarge it, you can see that it’s actually — a pile of dirt! This is risk-taking art, the risk being that the cleaning crew may accidentally sweep… Read more →