Excerpts from an essay By Glenn Greenwald:
When it comes to mask mandates, it is now commonplace to see two distinct classes of people: those who remain maskless as they are served, and those they employ as their servants who must have their faces covered at all times. . . .
Last month, a delightful event was hosted by Speaker of the House Nancy Pelosi (D-CA) for wealthy Democratic donors in Napa — the same wine region of choice for Gov. Newsom’s notorious dinner party . . .
Pelosi’s donor gala took place as millions face eviction, ongoing joblessness, and ever-emerging mandates of various types. . . .
Even though many of the wealthy white donors had no food in front of them and were not yet eating, there was not a mask in sight — except on the faces of the overwhelmingly non-white people hired as servants, all of whom had their gratuitous faces covered. Servants, apparently, are much more pleasant when they are dehumanized. There is no need for noses or mouths or other identifiable facial features for those who are converted into servile robots. . . .
An avalanche of similarly repugnant imagery poured forth on Monday night at the most gluttonous and opulent royal court spectacle of them all: the annual Met Gala held by long-time Vogue editor-in-chief Anna Wintour. . . . . In 2014, Wintour complained that the event was insufficiently exclusive and raised the ticket prices to $25,000 per person in order to keep out the riff-raff who had been able to get in the prior year for the middling price of $15,000 per ticket. Tickets this year cost as much as $35,000 per person. . . .
While event organizers, in an act of noble self-sacrifice and social duty, sadly cancelled the gala in 2020 due to the coronavirus pandemic, Wintour was determined this year not to let unpleasant matters like overflowing ICU wards, ongoing school closures, looming mass evictions, and pervasive mask mandates ruin the immense enjoyment bequeathed to the world’s serfs as they watch their beloved bejeweled class pose in designer gowns. . . .
Much of the attention on Monday night was devoted to the appearance on the red carpet by Congresswoman Alexandria Ocasio-Cortez (D-NY). The usual horde of embittered online nay-sayers and envious party-poopers tried implying that there was something incongruous about a socialist politician gleefully participating in the most vulgar tribute to capitalism and social inequality to emerge since the walled-off galas thrown by the French aristocracy at the Palace of Versailles
Sadly, last year’s gala had to be cancelled due to the COVID pandemic, but this year, unpleasantries like overflowing ICU wards, ongoing school closures, looming mass evictions, and pervasive mask mandates were not allowed to ruin the immense enjoyment of the world’s serfs as they watched their beloved bejeweled class pose in designer gowns.
Much of the attention on Monday night was devoted to the appearance on the red carpet by Congresswoman Alexandria Ocasio-Cortez (D-NY). The usual horde of embittered online nay-sayers and envious party-poopers tried implying that there was something incongruous about a socialist politician gleefully participating in the most vulgar tribute to capitalism and social inequality to emerge since the walled-off galas thrown by the French aristocracy at the Palace of Versailles. . . .
Far from being what AOC’s dirty and petty critics tried to malign this as being — an attention-seeking, celebrity-building, branding opportunity in which AOC yet again lavished herself in the multi-pronged rewards of the very economic and cultural hierarchies she claims to despise and vows to combat — she was actually engaged in a revolutionary and subversive act, injecting into aristocratic circles a beautifully artistic yet hostile message. . . .
Besides, as AOC herself put it with her trademarked class consciousness, the very fact that she can attend the Met Gala while you cannot is proof of the potency of the left-wing movement she leads.
Bring on the guillotine! Designed by Versace, of course.